"About this title" may belong to another edition of this title.īook Description Paperback. It is an international modernist treasure through sharing the aching, regretful sensibility of such works as Hemingway’s The Sun Also Rises and Ingmar Bergman’s arguably greatest film, Winter Light. Translator McKinney, who makes a completely stylistically modern-verbally and syntactically plain, realistic, personally voiced, intimate in tone-English-language novel of this quietly profound masterpiece, imparts in her introduction all that non-Japanese need to know to appreciate why the book is considered a national treasure. In the book’s second half, narrated by Sensei (i.e., mentor), as the student calls him, we learn why: he feels he betrayed a friend by first pressing his suit for the woman both love. Well-mannered, educated, comfortable, ostensibly happily married though childless, the man, whom the narrator regularly visits once they’re both back in the city, yet exudes sadness. The never-named narrator-hero of the novel’s first half is a provincial student in Tokyo who befriends a man some 20 years older whom he meets on a beach that is a favorite student getaway site. The last its author completed, published in 1914, two years before his death at 48, it voices the spiritual desolation of a society that had deliberately transformed itself from quasi-feudal isolation to determinedly modern player on the world stage in little more than 50 years. GradeSaver, 22 June 2015 Web.*Starred Review* Kokoro is the great Japanese modern novel. Next Section Kokoro Summary Buy Study Guide How To Cite in MLA Format Lin, Alexander.
Through the tortured and melancholy character of Sensei, Natsume showed the alienation and guilt that he himself felt personally from his separation from the traditional ethics of Japan, along with his struggle to find a solution. In his novel, Natsume deals primarily with the psychological and ethical problems dealt with by the Meiji era intellectuals, who had to reconcile their Confucian dedication to the public with the individualism imported from the West, and the new unabashedly individualistic tide of thought which had emerged even while Meiji was alive. That year, two years had passed since the death of Emperor Meiji, under whose rule Japan saw its first period of intense modernization, and in two years Natsume himself would be dead. Kokoro (こゝろ), written by the famous Japanese author Natsume Soseki, was published in serial form by the Japanese newspaper Asahi Shimbun, for which he worked, in 1914.
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